
Praise in The Utah Review for “Jessie Montgomery Plays Jessie Montgomery” at NOVA Chamber Music Series
The Utah Review celebrates the concert as a prototype for future programs highlighting the works of a single contemporary figure
The Utah Review celebrates the concert as a prototype for future programs highlighting the works of a single contemporary figure
“Live music brings people together: ‘There’s the attraction of the music and of the people who are making the music, and once you have everybody in the room, then you start to generate other connections’”
Longtime friends Morris and Montgomery sit down for conversation about the skyrocketing popularity of her music, finding pleasure and motivation in her craft, and work-life balance
Ori Carino was born in a functioning art gallery loft on Houston st. Downtown Manhattan 1982. A life-long artist, He was raised among many pivotal artists of the 80s art movement of the Lower East Side.
The 18-member ensemble returns to Symphony Center performing masterpieces by prominent Black and Latino composers
Jessie’s tenure includes a series of lectures, masterclasses, as well as performances featuring her music beginning Jan 11th with Third Coast Percussion.
“Jessie Montgomery’s Strum (2006) is perhaps an early candidate for ‘classic,’ given the frequency of performances, and the Dover found immense pleasure in its gutsy textures and rhythms.”
Hear Jessie speak on her musical upbringing, inspirations, how she draws from and expands on varied musical traditions, and how she first connected with long-time collaborators.
Jessie wrote her first work for percussion in close collaboration with TCP, a chance she seized to explore new rhythms and textures, from dipping crotales in water to blowing air into tom-toms.
TCP performs Jessie’s music throughout their 2024/25 tour and is joined by Jessie as featured composer and performer January 11 at Northwestern and twice more in Iowa City and Oberlin in April.